Poussin's painting |
According to two Wikipedia
pages, the phrase was related to two pastoral paintings done by Guercino and Nicolas
Poussin in the 17th century. The sentence is in Latin and
translates to mean “Even in utopia, I am there.” Arcadia is the utopia, and
even those within its beautiful and jovial landscape cannot elude the inevitable
grips of human mortality; this idea was a constant theme in Renaissance thought, which was referred to in Latin as “memento
mori” (Poussin). The paintings include shepherds gathered around starkly grim
images. Guercino’s painting has two
shepherds staring at a dead shepherd’s skull and Poussin’s painting has four
shepherds standing near a tomb. The shadows around and beneath the shepherds
represent the darkness of death which the adjacent shepherds suddenly notice;
this is the moment when their facile life suddenly becomes more complex than
previously thought. Near the end of the article on Poussin, in the section
titled “Other appearances,” it says that the above phrase was originally going
to be the title for the play “Arcadia.”
Guercino's painting |
If one begins to interpret Arcadia
under the pastoral lens, a likely reading because the setting is a room surrounded
by gardens, one will ultimately find an anti-pastoral message. The Latin phrase
Stoppard uses can remind readers of the Biblical story from Genesis where the
snake (Satan) enters into the Garden of Eden (a utopia) and, “even there,” is
able to subvert God’s perfect plans. Perhaps Stoppard is including this phrase
early on in his text to foreshadow an approaching revelation of grave
information in the scenes to come; even in the present day filled with Mazda sportscars, exists something darker. Most likely, this will relate to Bernard’s intellectually
curious mission in coming to the Coverly residence.
Works Cited
"Et in Arcadia ego." Wikipedia. 2013.< http://en.wikipedia.org/wiki/Et_in_Arcadia_ego>.
"Et in Arcadia ego (Guercino)." Wikipedia. 2013. <http://en.wikipedia.org/wiki/Et_in_Arcadia_ego_(Guercino)>.
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